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PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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Virgin and Child
1525(1525) and 1527(1527)
Medium Oil on panel
cjr
Painting ID:: 83800
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Virgin_and_Child
1525(1525) and 1527(1527)
Medium Oil on panel
cjr
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The Mystic Marriage of St Catherine
Date ca. 1527(1527)
Medium Oil on wood
Dimensions Height: 21 cm (8.3 in). Width: 27 cm (10.6 in).
cjr
Painting ID:: 84597
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The_Mystic_Marriage_of_St_Catherine
Date ca. 1527(1527)
Medium Oil on wood
Dimensions Height: 21 cm (8.3 in). Width: 27 cm (10.6 in).
cjr
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Portrait of a Youth
1520s
Medium oil on panel
cyf
Painting ID:: 89780
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Portrait_of_a_Youth
1520s
Medium oil on panel
cyf
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Thronende Madonna, Hl. Zacharias, Hl. Johannes der Taufer und Hl. Maria Magdalena
c. 1530
Medium oil on panel
cjr
Painting ID:: 91762
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Thronende_Madonna,_Hl._Zacharias,_Hl._Johannes_der_Taufer_und_Hl._Maria_Magdalena
c. 1530
Medium oil on panel
cjr
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Madonna mit dem langen Hals
1534-1540
Medium oil on panel
Dimensions Deutsch: 216 X 132 cm
cjr
Painting ID:: 91766
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Madonna_mit_dem_langen_Hals
1534-1540
Medium oil on panel
Dimensions Deutsch: 216 X 132 cm
cjr
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PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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