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Luca Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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Madonna and Child with St Joseph and Another Saint
1490-92 Panel,
diameter: 99 cm
Painting ID:: 52075
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Madonna_and_Child_with_St_Joseph_and_Another_Saint
1490-92 Panel,
diameter: 99 cm
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The Scourging of Christ
c. 1480 Tempera on roundheaded panel, 84 x 57 cm
Painting ID:: 52293
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The_Scourging_of_Christ
c. 1480 Tempera on roundheaded panel, 84 x 57 cm
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The Trinity, the Virgin and Two Saints
1510 Tempera on wood, 272 x 180 cm
Painting ID:: 52297
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The_Trinity,_the_Virgin_and_Two_Saints
1510 Tempera on wood, 272 x 180 cm
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the last judgment
mk247
1504,fresco,duomo,orvieto,umbria,ltaly
Painting ID:: 55989
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the_last_judgment
mk247
1504,fresco,duomo,orvieto,umbria,ltaly
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Crucifixion
Date c. 1504-1505
Medium tempera and Oil on panel
Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in)
cjr
Painting ID:: 85492
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Crucifixion
Date c. 1504-1505
Medium tempera and Oil on panel
Dimensions 72.5 x 101.3 cm (28.5 x 39.9 in)
cjr
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Luca_Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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