Oil Painting Artist::. Tintoretto

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     Tintoretto
    Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

Tintoretto Vulcanus Takes Mars and Venus Unawares oil painting artist
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Vulcanus Takes Mars and Venus Unawares
Oil on canvas, 135 x 198 cm

     Painting ID::  32713
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Vulcanus_Takes_Mars_and_Venus_Unawares
Oil on canvas, 135 x 198 cm

Tintoretto Tho Origin of the Milky Way oil painting artist
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Tho Origin of the Milky Way
mk86 c.1575-1580 Oil on canvas 148x165.1cm London,National Gallery

     Painting ID::  33461
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Tho_Origin_of_the_Milky_Way
mk86 c.1575-1580 Oil on canvas 148x165.1cm London,National Gallery

Tintoretto St George and the Dragon oil painting artist
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St George and the Dragon
mk86 c.1550-1560 Oil on canvas 157x100cm London,National Gallery

     Painting ID::  33501
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_George_and_the_Dragon
mk86 c.1550-1560 Oil on canvas 157x100cm London,National Gallery

Tintoretto Christ with Mary and Martha oil painting artist
 Click Image to Enlarge
Christ with Mary and Martha
mk86 c.1580 Oil on canvas 200x132cm Munich,Bayerische Staats-gamalesammlungen,Alte Pinakothek

     Painting ID::  33502
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ_with_Mary_and_Martha
mk86 c.1580 Oil on canvas 200x132cm Munich,Bayerische Staats-gamalesammlungen,Alte Pinakothek

Tintoretto Vulcan Suuprises Venus and Mars oil painting artist
 Click Image to Enlarge
Vulcan Suuprises Venus and Mars
mk86 c.1555 Oil on canvas 135x198cm Munich,Bayerische Staatsgemaldesammlungen, Alte Pinakothek

     Painting ID::  33503
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Vulcan_Suuprises_Venus_and_Mars
mk86 c.1555 Oil on canvas 135x198cm Munich,Bayerische Staatsgemaldesammlungen, Alte Pinakothek

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     Tintoretto
    Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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