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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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Madonna and Child wiht SS.Elizabeth and the Young john
mk65
panel
55 1/8x40 15/16in
Pitti,Palatine Gallery
Painting ID:: 28929
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Madonna_and_Child_wiht_SS.Elizabeth_and_the_Young_john
mk65
panel
55 1/8x40 15/16in
Pitti,Palatine Gallery
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The Annunciation
mk65
Oil on panel
37 13/16x74 7/16in
Pitti,Palatine Gallery
Painting ID:: 28930
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The_Annunciation
mk65
Oil on panel
37 13/16x74 7/16in
Pitti,Palatine Gallery
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Portrait of a Girl
mk65
Panel
33 1/16x 27 3/16in
Uffizi
Painting ID:: 28931
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Portrait_of_a_Girl
mk65
Panel
33 1/16x 27 3/16in
Uffizi
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St.James
mk65
Oil on canvas
61 3/16x33 11/16in
Uffizi,
Gallery
Painting ID:: 28932
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St.James
mk65
Oil on canvas
61 3/16x33 11/16in
Uffizi,
Gallery
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Madonna and Child with St.Catherine
mk65
1519
Oil on canvas
transferred from panel
40x31 1/2"
Painting ID:: 29153
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Madonna_and_Child_with_St.Catherine
mk65
1519
Oil on canvas
transferred from panel
40x31 1/2"
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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