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Duccio di Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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The temptation of christ on themountain
mk76
Painted between 1308and 1311
Tempera on panel
17x18in
Painting ID:: 31714
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The_temptation_of_christ_on_themountain
mk76
Painted between 1308and 1311
Tempera on panel
17x18in
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Maesta
mk83
1308-1311
Tempera and oil on wood
211x426cm
Painting ID:: 33274
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Maesta
mk83
1308-1311
Tempera and oil on wood
211x426cm
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Christ Crowned with Thorns
mk83
1308-1311
Tempera and oil on wood
50x53.5cm
Painting ID:: 33275
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Christ_Crowned_with_Thorns
mk83
1308-1311
Tempera and oil on wood
50x53.5cm
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Altar Cross
mk83
1280-1283
Tempera on wood
286x192cm
Painting ID:: 33285
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Altar_Cross
mk83
1280-1283
Tempera on wood
286x192cm
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The Tempration of Christ on the Mountain
mk86
c.1308-1311
Tempera on wood
43.2x46cm
New York
Painting ID:: 33300
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The_Tempration_of_Christ_on_the_Mountain
mk86
c.1308-1311
Tempera on wood
43.2x46cm
New York
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Duccio_di_Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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