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Jan Van Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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The Arnolfini Portrait
mk156
1434
Oil on oak panel
82.2x60cm
Painting ID:: 40180
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The_Arnolfini_Portrait
mk156
1434
Oil on oak panel
82.2x60cm
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Portrait of Jan de Leeuw
mk156
1436
Oil on panel
25x19cm
Painting ID:: 40181
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Portrait_of_Jan_de_Leeuw
mk156
1436
Oil on panel
25x19cm
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Crucifixion ofChrist
mk157
Wood
45x30cm
Painting ID:: 41190
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Crucifixion_ofChrist
mk157
Wood
45x30cm
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Madonna of chancellor Rolin
MK169
ca.1433-34 oil Paint on panel 66x61.9cm
Painting ID:: 42619
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Madonna_of_chancellor_Rolin
MK169
ca.1433-34 oil Paint on panel 66x61.9cm
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Adam and Eva
MK169
voltooid in 1432 Tempered and oil paint on panel each panel 204x32cm
Painting ID:: 42620
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Adam_and_Eva
MK169
voltooid in 1432 Tempered and oil paint on panel each panel 204x32cm
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Jan_Van_Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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