Oil Painting Artist::. BOTTICELLI, Sandro

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     BOTTICELLI, Sandro
    Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

BOTTICELLI, Sandro Portrait of an Unknown Personage with the Medal of Cosimo il Vecchio  fdgd oil painting artist
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Portrait of an Unknown Personage with the Medal of Cosimo il Vecchio fdgd
1474 Tempera on wood, 44 x 32 cm Galleria degli Uffizi, Florence

     Painting ID::  5313
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_an_Unknown_Personage_with_the_Medal_of_Cosimo_il_Vecchio__fdgd
1474 Tempera on wood, 44 x 32 cm Galleria degli Uffizi, Florence

BOTTICELLI, Sandro Giuliano de  Medici oil painting artist
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Giuliano de Medici
Panel, 76 x 53 cm National Gallery of Art, Washington

     Painting ID::  5314
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Giuliano_de__Medici
Panel, 76 x 53 cm National Gallery of Art, Washington

BOTTICELLI, Sandro Portrait of a Young Woman (La bella Simonetta) fs oil painting artist
 Click Image to Enlarge
Portrait of a Young Woman (La bella Simonetta) fs
1475 Panel, 61 x 41 cm Galleria Palatina (Palazzo Pitti), Florence

     Painting ID::  5315
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_Woman_(La_bella_Simonetta)_fs
1475 Panel, 61 x 41 cm Galleria Palatina (Palazzo Pitti), Florence

BOTTICELLI, Sandro Portrait of a Young Man fddg oil painting artist
 Click Image to Enlarge
Portrait of a Young Man fddg
1469 Tempera on wood, 51 x 33,7 cm Galleria Palatina (Palazzo Pitti), Florence

     Painting ID::  5316
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_Man_fddg
1469 Tempera on wood, 51 x 33,7 cm Galleria Palatina (Palazzo Pitti), Florence

BOTTICELLI, Sandro Portrait of a Young Woman 223ff oil painting artist
 Click Image to Enlarge
Portrait of a Young Woman 223ff
after 1480 Oil on panel, 47,5 x 35 cm Staatliche Museen, Berlin

     Painting ID::  5317
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_Woman_223ff
after 1480 Oil on panel, 47,5 x 35 cm Staatliche Museen, Berlin

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     BOTTICELLI,_Sandro
    Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

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