Oil Painting Artist::. GIOTTO di Bondone

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     GIOTTO di Bondone
    Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

GIOTTO di Bondone Nativity,Adoration of the Shepherds and the Magi oil painting artist
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Nativity,Adoration of the Shepherds and the Magi
mk161 Tempera on wood Gold ground

     Painting ID::  41262
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Nativity,Adoration_of_the_Shepherds_and_the_Magi
mk161 Tempera on wood Gold ground

GIOTTO di Bondone The birth, with the giornate indicated oil painting artist
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The birth, with the giornate indicated
mk169 ca.1304-13 v. Chr. Fresco 231x202cm Scrovegnikapel, Padua

     Painting ID::  42508
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_birth,_with_the_giornate_indicated
mk169 ca.1304-13 v. Chr. Fresco 231x202cm Scrovegnikapel, Padua

GIOTTO di Bondone Baroncelli Polyptych oil painting artist
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Baroncelli Polyptych
c. 1334 Tempera on wood, 185 x 323 cm

     Painting ID::  44308
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Baroncelli_Polyptych
c. 1334 Tempera on wood, 185 x 323 cm

GIOTTO di Bondone Saint Stephen oil painting artist
 Click Image to Enlarge
Saint Stephen
1320-25 Tempera on wood, 84 x 54 cm

     Painting ID::  44309
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Saint_Stephen
1320-25 Tempera on wood, 84 x 54 cm

GIOTTO di Bondone GIOTTO oil painting artist
 Click Image to Enlarge
GIOTTO
1320-25 Tempera on wood, 81 x 55 cm

     Painting ID::  44310
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  GIOTTO
1320-25 Tempera on wood, 81 x 55 cm

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     GIOTTO_di_Bondone
    Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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