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Bernardo Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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Wilanow Palace seen from the entrance.
1776(1776)
Medium oil on canvas
cjr
Painting ID:: 89388
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Wilanow_Palace_seen_from_the_entrance.
1776(1776)
Medium oil on canvas
cjr
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Capriccio, Palasttreppe
1762(1762)
Medium oil on canvas
Dimensions 76 x 110 cm
cjr
Painting ID:: 89524
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Capriccio,_Palasttreppe
1762(1762)
Medium oil on canvas
Dimensions 76 x 110 cm
cjr
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Ansicht von Dresden, Der Altmarkt von der Seegasse aus
1750-1751
Medium Oil on canvas
cjr
Painting ID:: 89772
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Ansicht_von_Dresden,_Der_Altmarkt_von_der_Seegasse_aus
1750-1751
Medium Oil on canvas
cjr
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Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein
1753-1755
Medium oil on canvas
cjr
Painting ID:: 89773
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Ansicht_von_Pirna,_Pirna_von_der_Sudseite_aus_gesehen,_mit_Befestigungsanlagen_und_Obertor_(Stadttor)_sowie_Festung_Sonnenstein
1753-1755
Medium oil on canvas
cjr
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Ansicht von Dresden, Der alte Wassergraben des Zwingers, von der Orangerie Richtung Stadt aus gesehen
c. 1752(1752)
Medium Oil on canvas
cjr
Painting ID:: 89790
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Ansicht_von_Dresden,_Der_alte_Wassergraben_des_Zwingers,_von_der_Orangerie_Richtung_Stadt_aus_gesehen
c. 1752(1752)
Medium Oil on canvas
cjr
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Bernardo_Bellotto
Italian Rococo Era Painter, C.1721-1780
Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.
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