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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Study for the Martyrdom of St.Symphorian (mk04)
1833-1834
Oil and chalk on canvas,
61x50cm
Musee Ingres
Montauban
Painting ID:: 20430
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Study_for_the_Martyrdom_of_St.Symphorian_(mk04)
1833-1834
Oil and chalk on canvas,
61x50cm
Musee Ingres
Montauban
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The Execution of Lady Jane Grey (mk04)
1833
Oil on canvas.
97x117cm
National Gallery.
London
Painting ID:: 20432
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The_Execution_of_Lady_Jane_Grey_(mk04)
1833
Oil on canvas.
97x117cm
National Gallery.
London
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Franqois Gerard Daphnis and Chloe (mk04)
1824
Oil on canvas,
204x228cm
Musee du Louvre,
Paris
Painting ID:: 20436
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Franqois_Gerard_Daphnis_and_Chloe_(mk04)
1824
Oil on canvas,
204x228cm
Musee du Louvre,
Paris
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The Death of Sardanapalus (mk04)
1827
Oil on canvas,
395x496cm
Musee du Louvre
Paris
Painting ID:: 20438
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The_Death_of_Sardanapalus_(mk04)
1827
Oil on canvas,
395x496cm
Musee du Louvre
Paris
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Oadlisque with Female Slave (mk04)
1842
Oil on canvas,
76x105cm
Walters Art Gallery.
Baltimore
Painting ID:: 20439
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Oadlisque_with_Female_Slave_(mk04)
1842
Oil on canvas,
76x105cm
Walters Art Gallery.
Baltimore
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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