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Corot Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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The road of sevres
mk131
Toward 1855 The vision level in depth of a rural road to be another of the motives that the impressionist from monet and renoir to pissarro and sisley-take of corot, although they be used to preferring frame diagonals that are distinguished of the caracteristica composicion horizontal of the teacher.
Painting ID:: 38126
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The_road_of_sevres
mk131
Toward 1855 The vision level in depth of a rural road to be another of the motives that the impressionist from monet and renoir to pissarro and sisley-take of corot, although they be used to preferring frame diagonals that are distinguished of the caracteristica composicion horizontal of the teacher.
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Rafaga of wind
mk131
1865 Exposed with exito in the salon of 1867 is a matter of a composicion carried out in study in spite of its liberty tecnica, and sample the capacity of corot to retain long time its famous first one impresion.
Painting ID:: 38127
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Rafaga_of_wind
mk131
1865 Exposed with exito in the salon of 1867 is a matter of a composicion carried out in study in spite of its liberty tecnica, and sample the capacity of corot to retain long time its famous first one impresion.
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The vaguada
mk131
1855 Corot approaches aqul, by the intensity and coolness of its green, to the examples but advanced of the school of Barbizon, especially to Daubigny.
Painting ID:: 38128
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The_vaguada
mk131
1855 Corot approaches aqul, by the intensity and coolness of its green, to the examples but advanced of the school of Barbizon, especially to Daubigny.
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seine al bridge
mk131
Toward 1868-1870
Corot visited frequently Mantes, where tenia friends, and alli I paint a view of l city and various pictures of the city and various pictures of the cathedral and the bridge on the seine.
Painting ID:: 38129
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seine_al_bridge
mk131
Toward 1868-1870
Corot visited frequently Mantes, where tenia friends, and alli I paint a view of l city and various pictures of the city and various pictures of the cathedral and the bridge on the seine.
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The bridge of Mantes
mk131
Toward 1868-1870
Corot visited frequently Mantes, where tenia friends, and alli I paint a view of l city and various pictures of the city and various pictures of the cathedral and the bridge on the seine.
Painting ID:: 38130
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The_bridge_of_Mantes
mk131
Toward 1868-1870
Corot visited frequently Mantes, where tenia friends, and alli I paint a view of l city and various pictures of the city and various pictures of the cathedral and the bridge on the seine.
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Corot_Camille
French Realist Painter ,
1796-1875
French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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