Oil Painting Artist::. Albrecht Altdorfer

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     Albrecht Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

Albrecht Altdorfer Landschaft mit einem Steg oil painting artist
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Landschaft mit einem Steg
c. 1516 Öl auf Pergament/Holz 42 X 35,5 cm cjr

     Painting ID::  74897
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Landschaft_mit_einem_Steg
c. 1516 Öl auf Pergament/Holz 42 X 35,5 cm cjr

Albrecht Altdorfer Der Drachenkampf des heiligen Georg oil painting artist
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Der Drachenkampf des heiligen Georg
1510 cjr

     Painting ID::  75732
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Der_Drachenkampf_des_heiligen_Georg
1510 cjr

Albrecht Altdorfer Christ on the Cross oil painting artist
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Christ on the Cross
ca. 1520(1520) wood 57.5 cm (22.6 in). Height: 75 cm (29.5 in).

     Painting ID::  75878
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ_on_the_Cross
ca. 1520(1520) wood 57.5 cm (22.6 in). Height: 75 cm (29.5 in).

Albrecht Altdorfer Heilige Nacht oil painting artist
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Heilige Nacht
1511 Oil on panel 36,2 ?? 26 cm cjr

     Painting ID::  75967
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Heilige_Nacht
1511 Oil on panel 36,2 ?? 26 cm cjr

Albrecht Altdorfer Die Anbetung der Heiligen Drei Konige oil painting artist
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Die Anbetung der Heiligen Drei Konige
c. 1530-1535 Oil on wood 108,5 ?? 78 cm cjr

     Painting ID::  76072
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Die_Anbetung_der_Heiligen_Drei_Konige
c. 1530-1535 Oil on wood 108,5 ?? 78 cm cjr

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     Albrecht_Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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