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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Antiochus and Stratonice (mk04)
Oil on canvas.
57x98cm
Musee Conde
Chantilly
Painting ID:: 20443
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Antiochus_and_Stratonice_(mk04)
Oil on canvas.
57x98cm
Musee Conde
Chantilly
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The Murder of the Duke of Guise (mk05)
1834
Oil on canvas,
57x98cm
Musee Conde,Chantilly
Painting ID:: 20446
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The_Murder_of_the_Duke_of_Guise_(mk05)
1834
Oil on canvas,
57x98cm
Musee Conde,Chantilly
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Antichus and Stratonice (mk05)
1774
Oil on canvas,
120x155cm
Ecole des Beaux-Arts,Paris
Painting ID:: 20447
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Antichus_and_Stratonice_(mk05)
1774
Oil on canvas,
120x155cm
Ecole des Beaux-Arts,Paris
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Antiochus and Stratonice (mk04)
Oil on paper,streched on canvas,
61x92cm
Musee Fabre,Montpellier
Painting ID:: 20448
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Antiochus_and_Stratonice_(mk04)
Oil on paper,streched on canvas,
61x92cm
Musee Fabre,Montpellier
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Portrait of Duke Ferdinand-Philippe of Orleans (mk04)
1844
Oil on canvas,
218x131cm
Musee National du Chateau,
Versailles
Painting ID:: 20449
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Portrait_of_Duke_Ferdinand-Philippe_of_Orleans_(mk04)
1844
Oil on canvas,
218x131cm
Musee National du Chateau,
Versailles
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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