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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Portrait_de_Jenne_homme_de_profil_(df02)
c_1618-1619 Head_of_a_Young_Man_in_Profile Portrat_eines_jungen_Mannes_im_Profil_ 39.5_x_35.8_cm

Diego Velazquez Portrait de Jenne homme de profil (df02) oil painting on canvas

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Diego_Velazquez
Portrait de Jenne homme de profil (df02)
c 1618-1619 Head of a Young Man in Profile Portrat eines jungen Mannes im Profil 39.5 x 35.8 cm

Painting ID::  22622

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    c 1618-1619 Head of a Young Man in Profile Portrat eines jungen Mannes im Profil 39.5 x 35.8 cm
Diego Velazquez
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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