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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
La_Chiesa_e_la_scuola_della_Carita,dal_laboratorio_di_marmi_di_S.Vitale_(mk21)
1725-1726 Olio_su_tela,124_x_1726 Olio_su_tela,124_x_163_cm The_National_Gallery,Londra

Canaletto La Chiesa e la scuola della Carita,dal laboratorio di marmi di S.Vitale (mk21) oil painting on canvas

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Canaletto
La Chiesa e la scuola della Carita,dal laboratorio di marmi di S.Vitale (mk21)
1725-1726 Olio su tela,124 x 1726 Olio su tela,124 x 163 cm The National Gallery,Londra

Painting ID::  22758

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    1725-1726 Olio su tela,124 x 1726 Olio su tela,124 x 163 cm The National Gallery,Londra
Canaletto
Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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