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100% hand painted, 100% cotton canvas,
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Vittore Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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Two_Venetian_Ladies_on_a_Balcony_(nn03)
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c_1495/1500_
Oil_on_panel_164_x_94_cm_64_1/2_x_37_in_Museo_Correr_Venice
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Two Venetian Ladies on a Balcony (nn03)
c 1495/1500
Oil on panel 164 x 94 cm 64 1/2 x 37 in Museo Correr Venice
Painting ID:: 23267
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| c 1495/1500
Oil on panel 164 x 94 cm 64 1/2 x 37 in Museo Correr Venice |
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Vittore Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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