All Cornelis van Dalem 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
20297 Farmyard with a Beggar (mk05)  Farmyard with a Beggar (mk05)   Wood 15 1/4 x 20 1/2''(39 x 52 cm)In the collection of Eberhard Jabach 1696 as by Pieter Bruegel the Elder;given in 1918
693 Landscape  Landscape   1564 Pinakothek, Munich
66251 Landscape with Farm  Landscape with Farm   Oil on panel 103 x 128 cm (40.55 x 50.39 in)1564
66253 Landscape with Farm  Landscape with Farm   Oil on panel 103 x 128 cm (40.55 x 50.39 in) 1564
72572 Landscape with Farm  Landscape with Farm   1564 Oil on panel 103 X 128 cm (40.55 X 50.39 in) cjr
74341 Landscape with Farm  Landscape with Farm   Date 1564 Medium Oil on panel Dimensions 103 X 128 cm (40.55 X 50.39 in) cyf
70391 Landscape with Farmhouse  Landscape with Farmhouse   Date 1564 Medium Oil on wood Dimensions 103,2 x 127,7 cm
90255 Landschaft mit Hirten  Landschaft mit Hirten   um 1550-1560 Medium oil on panel Dimensions 47 x 68 cm cjr

Cornelis van Dalem
1535-1576 Dutch Cornelis van Dalem Location Flemish painter. He was the son of a well-to-do cloth merchant living in Antwerp, but of Dutch origin. Cornelis received a humanistic education. His father, who owned land in Tholen, as a vassal to the Counts of Holland and Zeeland, was dean of the chamber of rhetorics De Olijftak (The Olive Branch) in Antwerp in 1552-3. According to van Mander, Cornelis was himself learned in poetry and history and only painted as an amateur, not for a living. Documents in the Antwerp archives invariably refer to him as a merchant, never as a painter, which no doubt accounts for the small number of known paintings by him. He learnt to paint with an otherwise unknown artist, Jan Adriaensens, who had also taught his older brother Lodewijk van Dalem ( fl 1544-85). The latter was inscribed as a pupil in 1544-5 and became a master in the guild in 1553-4. Cornelis was himself inscribed a year after his brother, and he became a master in 1556, the same year he married Beatrix van Liedekercke, a member of an Antwerp patrician family. They lived in Antwerp until late 1565, when, apparently for religious reasons, they left for Breda, together with the artist mother, who had become a widow in 1561. In 1571 several local witnesses testified that van Dalem, who was then living in a small castle, De Ypelaar, in Bavel, near Breda, was strongly suspected of being a heretic. He was never seen in church and was said, on the contrary, to have often attended Protestant services and to have publicly expressed contempt for Papists.

China Oil Painting Studio Team