All GENTILESCHI, Artemisia 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
6815 Birth of St John the Baptist dfg  Birth of St John the Baptist dfg   c. 1635 Oil on canvas, 184 x 258 cm Museo del Prado, Madrid
6820 Judith and her Maidservant  sdg  Judith and her Maidservant sdg   1612-1613 Oil on canvas, 114 x 93.5 cm Galleria Palatina (Palazzo Pitti), Florence
6818 Judith Beheading Holofernes (detail) sdg  Judith Beheading Holofernes (detail) sdg   1611-12 Oil on canvas Museo Nazionale di Capodimonte, Naples
6817 Judith Beheading Holofernes dfg  Judith Beheading Holofernes dfg   1611-12 Oil on canvas, 158,8 x 125,5 cm Museo Nazionale di Capodimonte, Naples
6819 Judith Beheading Holofernes dg  Judith Beheading Holofernes dg   1612-21 Oil on canvas, 199 x 162 cm Galleria degli Uffizi, Florence
6821 Mary Magdalen df  Mary Magdalen df   1613-20 Oil on canvas, 146.5 x 108 cm Galleria Palatina (Palazzo Pitti), Florence
6816 Portrait of a Condottiero dg  Portrait of a Condottiero dg   1622 Oil on canvas, 208 x 128 cm Palazzo d'Accursio, Bologna
6822 Self-Portrait as the Allegory of Painting fdg  Self-Portrait as the Allegory of Painting fdg   1630s Oil on canvas, 96,5 x 73,7 cm Royal Collection, Windsor
6824 Susanna and the Elders gfg  Susanna and the Elders gfg   1610 Oil on canvas, 170 x 121 cm Schloss Weissenstein, Pommersfelden

Italian Baroque Era Painter, 1593-1652 Tuscan painter, daughter and pupil of Orazio Gentileschi, b. Rome. She studied under Agostino Tassi, her father's collaborator, who was convicted of raping the teen-age Artemisia in 1612. Over the years, she has been portrayed as a strumpet, a feminist victim or heroine, and an independent woman of her era and her life has been fictionalized in several novels and plays. In purely artistic terms, she achieved renown for her spirited execution and admirable use of chiaroscuro in the style of Caravaggio, and during her life she achieved both success and fame. In 1616 she became the first woman admitted to the Academy of Design in Florence. About 1638 she visited England, where she was in great demand as a portraitist. Among her works are Judith and Holofernes (Uffizi);

China Oil Painting Studio Team