All MENGS, Anton Raphael 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
21949 Allegory of History (mk08)  Allegory of History (mk08)   c.1772/73 Fresco, 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri
19376 Charles III  Charles III   1761 Oil on canvas Museo del Prado, Madrid.
19375 Charles IV as Prince  Charles IV as Prince   Oil on canvas Museo del Prado, Madrid.
8189 Ferdinand IV, King of Naples  Ferdinand IV, King of Naples   1760 Oil on canvas, 179 x 130 cm Museo del Prado, Madrid
29642 Glory of St Eusebius  Glory of St Eusebius   1757 Fresco
19374 Johann Joachim Winckelmann  Johann Joachim Winckelmann   Oil on canvas Metropolitan Museum of Art, New York.
30622 Judgement of Paris  Judgement of Paris   mk68 Oil on canvas Saint Petersburg,State Hermitage Museum 1757-1759 Germany
8190 Maria Luisa of Parma sg  Maria Luisa of Parma sg   1765 Oil on canvas, 48 x 38 cm Museo del Prado, Madrid
44069 Portrait of Johann Joachim Winckelman  Portrait of Johann Joachim Winckelman   1761-62 Oil on canvas, 64 x 49 cm
79066 Portrat eines Architekten  Portrat eines Architekten   1755 Oil on canvas 72 x 59,5 cm cjr
82137 Portrat eines Architekten  Portrat eines Architekten   1755 Medium Oil on canvas Dimensions Deutsch: 72 x 59,5 cm cyf
19378 Self-Portrait  Self-Portrait   1779 Oil on panel Gemäldegalerie, Berlin.
29638 Self-Portrait  Self-Portrait   1744 Pastel on paper, 55,5 x 42,5 cm
30060 Self-Portrait  Self-Portrait   mk67 pANEL 38 3/16X28 9/16in Uffizi,
8191 Self-Portrait w7785  Self-Portrait w7785   1744 Pastel on paper, 55,5 x 42,5 cm Gemäldegalerie, Dresden
19377 The Adoration of the Shepherds  The Adoration of the Shepherds   1770 Oil on panel Museo del Prado, Madrid.

MENGS, Anton Raphael
German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

China Oil Painting Studio Team