All Matthias Grunewald 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
52037 Annunciation and Resurrection  Annunciation and Resurrection   c. 1515 Oil on wood,
87844 Carrying the Cross  Carrying the Cross   between 1523(1523) and 1524(1524) Medium Oil on wood cyf
52035 Concert of Angels and Nativity  Concert of Angels and Nativity   c. 1515 Oil on wood, 265 x 304 cm
21367 Crucifixion (mk08)  Crucifixion (mk08)   1512-1516 Oil on wood 269x307cm Colmar,Musee d'Unterlinden
84323 Erasmus durch Hl  Erasmus durch Hl   English: c. 1517-1523 Medium Oil on wood cyf
30463 Isencheim Altar Crucifixion  Isencheim Altar Crucifixion   mk68 Oil on wood 8'10"x11 2 2/1" Colmar Unterlinden Museum 1510-1515 Germany
30465 Isenheim Altar Allegory of the Nativity  Isenheim Altar Allegory of the Nativity   mk68 wood Colmar Unterlinden Museum 1510--15115 Germany
52033 Isenheim Altarpiece  Isenheim Altarpiece   c. 1515 Oil on wood
52044 Lamentation of Christ before 1523  Lamentation of Christ before 1523   Oil on pine wood 36 x 136 cm
52031 Meeting of St Erasm and St Maurice  Meeting of St Erasm and St Maurice   1517-23 Oil on wood, 226 x 176 cm
87825 Meeting of St Erasm and St Maurice  Meeting of St Erasm and St Maurice   between 1517(1517) and 1523(1523) Medium Oil on wood cyf
87827 Meeting of St Erasm and St Maurice  Meeting of St Erasm and St Maurice   between 1517(1517) and 1523(1523) Medium Oil on wood cyf
52034 St Antony the Hermit  St Antony the Hermit   c. 1515 Oil on wood, 232 x 75 cm
52038 Sts Paul and Antony in the Desert  Sts Paul and Antony in the Desert   c. 1515 Oil on wood, 265 x 141 cm
88616 Stuppach Madonna  Stuppach Madonna   between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf
88617 Stuppach Madonna  Stuppach Madonna   between 1517(1517) and 1519(1519) Medium Oil on canvas mounted on wood cyf
23311 The Crucifixion (nn03)  The Crucifixion (nn03)   c 1515 Oil on panel 269 x 307 cm 106 x 120 7/8 in Musee d'Unterlinden Colmar
85935 The Lamentation  The Lamentation   1515(1515) Medium Oil on wood cyf
21368 The Meeting of St Erasmus and St Maurice (mk08)  The Meeting of St Erasmus and St Maurice (mk08)   c.1520-1524 Oil on wood 226x176cm Munich,Bayerisch Staatsgemaldesammlungen,Alte Pinakothek
88028 The Mocking of Christ  The Mocking of Christ   1503(1503) Medium Oil on pine panel cyf
90045 The Mocking of Christ  The Mocking of Christ   1503(1503) Medium oil on pine panel Dimensions Height: 109 cm (42.9 in). Width: 73.5 cm (28.9 in). cyf
21365 The Mocking of Christ (mk08)  The Mocking of Christ (mk08)   c.1503 Oil tempera on wood 109x73.5cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
52036 The Resurrection  The Resurrection   c. 1515 Oil on wood
72753 Verspottung Christi  Verspottung Christi   Date 1503-1505 Medium Oil on wood cyf
56843 Yisenhaimu altar painting, Good Friday to map  Yisenhaimu altar painting, Good Friday to map   mk250 Yisenhaimu Germany, from San Antonio hospital chapel next. About the year 1510-1515. On-board painting, mosaic in the middle board 298.5 x 327.7 cm. Flank for the 250.2 x 340.4 cm. Taiwan altar on the painting of vertical sat 74.9 x 340.4 cm. Keer Ma, Ante Linden Museum.

Matthias Grunewald
German 1475-1528 Matthias Grunewald Galleries Only religious works are included in his small surviving corpus, the most famous being the Isenheim Altarpiece, completed 1515, now in the Musee d'Unterlinden, Colmar. Its nine images on twelve panels contain scenes of the Annunciation, Mary bathing Christ, Crucifixion, Entombment of Christ, Resurrection, Temptation of St. Anthony and saints. As was common in the preceding century, there are different views, depending on the arrangement of the wings; but the three views available here are exceptional. The third view discloses a carved and gilded wood altarpiece in the centre. As well as being by far his greatest surviving work, the altarpiece contains most of his surviving painting by area, being 2.65 metres high and over 5 metres wide at its fullest extent. His other works are in Germany, except for a small Crucifixion in Washington and another in Basel, Switzerland. He was asked in about 1510 to paint four saints in grisaille for the outside of the wings of Durer's Heller Altarpiece in Frankfurt. D??rer's work was destroyed by fire and only survives in copies, but fortunately the wings have survived. There are also the late Tauberbischofsheim altarpiece in Karlsruhe, and the Establishment of the Santa Maria Maggiore in Rome (1517-1519), Freiburg, Augustinermuseum. A large panel of Saint Erasmus and Saint Maurice in Munich probably dates from 1521-24, and was apparently part of a larger altarpiece project, the rest of which has not survived. Other works are in Munich, Karlsruhe, and Rhineland churches. Altogether four somber and awe-filled Crucifixions survive. The visionary character of his work, with its expressive colour and line, is in stark contrast to Albrecht Durer's works. His paintings are known for their dramatic forms, vivid colors, and depiction of light.

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