All Paris Bordone 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
51188 Allegory with Lovers  Allegory with Lovers   1550 Oil on canvas, 111,5 x 174,5 cm
90453 Athena Scorning the Advances of Hephaestus  Athena Scorning the Advances of Hephaestus   Oil on canvas (61.78) (Kress Study Collection, K 1112) Date ca. 1555-1560 cyf
43059 Daphnis and Chloe  Daphnis and Chloe   mk170 1538-1540 Oil on canvas 135.9x120.6cm
87007 Madonna and Child with Saints  Madonna and Child with Saints   1535(1535) Medium Oil on poplar cyf
91876 Madonna with Sleeping Child  Madonna with Sleeping Child   1540 - 1560 Medium oil on canvas Dimensions 69.5 X 83.5 cm (27.4 X 32.9 in) cjr
43048 Portrait of a Young Woman  Portrait of a Young Woman   mk170 Oil on canvas 106.7x85.7cm
122 Presentation of the Ring to the Doges of Venice  Presentation of the Ring to the Doges of Venice   1534 Galleria dell'Accademia, Venice
32571 Recreation by our Gallery  Recreation by our Gallery   mk79 1545
83383 The Annunciation  The Annunciation   1555(1555) Medium Oil on canvas Dimensions Height: 99 cm (39 in). Width: 134 cm (52.8 in). cyf
40355 The Fisheman Presenting the Ring to the Doge Gradenigo  The Fisheman Presenting the Ring to the Doge Gradenigo   mk156 1534 Oil on canvas 370x300cm
41180 Two Lovers  Two Lovers   mk157 c.1525-30 Oil on canvas 95x80cm

Paris Bordone
Italian 1500-1571 Italian painter and draughtsman. He is best known for his strikingly beautiful depictions of women, both in portraits and in cabinet paintings. He also excelled in rendering monumental architectural settings for narrative, both religious and secular, possibly initiating a genre that would find great currency during the mid-16th century, especially in Venice, France and the Netherlands. His favoured media were oil and fresco, the latter being used on both interiors and faades. Although he was not generally sought after by Venetian patrons during his career, as his art was eclipsed by that of Titian, Paolo Veronese and Jacopo Tintoretto, Bordone was regarded in the mid-16th century as an accomplished artist (Pino; Sansovino). He worked for the moneyed lite of northern Italy and Bavaria, for the royalty of France and Poland, and had works commissioned to be sent to Spain and to Flanders. Despite knowledge of the important patrons for whom he worked, the chronology of Bordones oeuvre is by no means clear. Dating on stylistic grounds is confounded by the diverse sources on which he drew, ranging from the Emilian, Lombard and Venetian to the French and northern European, depending on the patron. Due to the ease with which prints circulated during Bordones career, it is difficult to ascertain whether influences were derived at first hand or from printed images. Such difficulties in assigning dates are further exacerbated by his use of the same figure study for numerous paintings evidently executed decades apart. Reliance on the testimony of Vasari, who interviewed Bordone in 1566, in conjunction with the extant documents, the few signed and dated paintings and, to a lesser extent, period fashion provides only a rough outline of his activity. Due to the lack of agreement among scholars regarding chronology, the following account is based mainly on the documentary evidence.

China Oil Painting Studio Team