All Pierre Puvis de Chavannes 's Paintings
The Painting Names Are Sorted From A to Z

Choice ID Image  Paintings (From A to Z)       Details 
91501 Christian Inspiration  Christian Inspiration   between 1887(1887) and 1888(1888) Medium Oil on paper, mounted on canvas cyf
68015 den fattige fiskaren  den fattige fiskaren   1881 se
70686 Die Hoffnung  Die Hoffnung   Medium Oil on canvas Dimensions Expression error: Missing operand for *102.5 ?? 129.5 cm
89573 Hl. Maria Magdalena in der Wuste  Hl. Maria Magdalena in der Wuste   1869(1869) Medium oil on canvas Dimensions Deutsch: 48 x 36,8 cm cjr
22280 Hope (mk19)  Hope (mk19)   1872 Oil on canvas, 70.7 x 82 cm Musee d'Orsay,Paris
29089 Mad Woman at the Edge of the Sea  Mad Woman at the Edge of the Sea   mk65 1857 Oil on canvas 29x29"
58390 Magdalena  Magdalena   Magdalena (1897)
91115 Maria Magdalena in der Wuste  Maria Magdalena in der Wuste   1869(1869) Medium oil on canvas cyf
39910 Marseilles,Gateway to the Orient  Marseilles,Gateway to the Orient   mk155 1869 Canvas mounted on a wall 425x565cm
58389 Musee de Picardie. cliche H.Maertens  Musee de Picardie. cliche H.Maertens   Musee de Picardie. clich?? H.Maertens (1863)
42797 Pastoral  Pastoral   MK169 1882 Cloth 25.7x39.7cm Yale University Art Gallery
50622 Poor fisherman  Poor fisherman   mk213 Oil on canvas
92266 Poor Fisherman  Poor Fisherman   oil on canvas Dimensions 105.8 X 68.6 cm (41.7 X 27 in) cyf
38971 Portrait of Mme M.C  Portrait of Mme M.C   mk142 1883 Oil on canvas 78x45.7cm
10940 Summer  Summer   Salon of 1873. 11' 5 3/4" x 16 7 1/2" ( 350 x 507 cm ).
43339 Summer  Summer   mk170 before 1873 Oil on canvas 43.2x62.2cm
11370 THe Balloon  THe Balloon   1871 4'6'' x 2' 9''(136.5 x 84 cm)Gift of Mr.Acquavella,1987
93178 The beheading of John the Baptist.  The beheading of John the Baptist.   1856 Medium oil on panel Dimensions 140 X 89.5 cm (55.1 X 35.2 in) cjr
43340 The Beheading of Saint John the Baptist  The Beheading of Saint John the Baptist   mk170 circa 1869 Oil on canvas 240x316.2cm
92370 The Beheading of St John the Baptist  The Beheading of St John the Baptist   Date c. 1869(1869) Medium oil on canvas Dimensions Height: 240 cm (94.5 in). Width: 316 cm (124.4 in). ttd
10942 The Dream  The Dream   Salon of 1883. 2' 8 1/4" x 3' 4 1/4" ( 82 x 102 cm ). Gift of Etienne Moreau - Nelaton, 1906.
22278 The Dream (mk19)  The Dream (mk19)   1883 Oil on canvas,82 x 102 cm Musee du Louvre,Paris
11369 The Pigeon  The Pigeon   1871 4' 6'' x 2' 9''(136.5 x 84 cm) Gift of Mr.Acquavella,1987.
40778 The Poor Fisheman  The Poor Fisheman   mk156 1881 Oil on canvas 155.5x192.5cm
10944 The Poor Fisherman  The Poor Fisherman   1881. Salon of 1881. 5' 1" x 6' 3 3/4" ( 155 x 192.5 cm ).
33979 The Poor Fisherman  The Poor Fisherman   mk87 1881 Oil on canvas 155x192.5cm Paris,Musee d'Orsay
38941 The Poor Fisherman  The Poor Fisherman   mk142 1881 Oil on canvas 155.5x192cm Paris
56657 the poor fisherman  the poor fisherman   mk248 denna stafflimalning lamnades in till 1881 ars parissalong ocb ledde till kontroverser. en del bedomare ansag att den dampade fargsattnigen bjorde den dekorativ snarare an konstnarlig sedan dess bar kompositonen, som paminner om den beliga familjen, blivit ett av puvis mest kanda verk.
58388 The Poor Fisherman  The Poor Fisherman   The Poor Fisherman
21500 The Poor Fisherman (mk09)  The Poor Fisherman (mk09)   1881 Oil on canvas,155 x 192.5 cm Paris,Musee d'Orsay
58391 The White Rocks  The White Rocks   The White Rocks (1869-1872)
10933 Thommas - Alfred Jones, Member of Stockbrokerage House  Thommas - Alfred Jones, Member of Stockbrokerage House   1851. 2' 4 1/4" x 1' 11 1/2" ( 73 x 59.5 cm ). Gift of Georges Viau, 1930.
74163 Toilette  Toilette   Oil painting created by Pierre Puvis De Chavannes on 1883.freeparking Description The Toilette cyf
56658 unga flicko vid havet  unga flicko vid havet   mk248 puvis frammanar bar en bistorisk atmosfar i vilken flickorna verkar vara insvepta i evig frid. skonbet ocb vackert vader.
28384 Village Firemen  Village Firemen   mk60 1857 Oil on canvas 70 1/2x90"
40792 Woman on the Beach  Woman on the Beach   mk156 1887 Oil on paper pasted on canvas 75.3x74.5cm
40793 Woman on the Beach  Woman on the Beach   mk156 1887 Oil on paper pasted on canvas 75.3x74.5cm
97744 Woman on the Beach  Woman on the Beach   1887(1887) Medium Oil on paper pasted on canvas cyf
22281 Young Girls at the Seaside (mk19)  Young Girls at the Seaside (mk19)   1879 Oil on canvas,61 x 47 cm Musee d'Orsay Paris
39024 Young Girls by the Sea  Young Girls by the Sea   mk142 ca.1879 Oil on panel 205x154cm
10941 Young Girls on the Edge of the Sea  Young Girls on the Edge of the Sea   Salon of 1879. 6' 8 1/4" x 5' 3/4" ( 205 x 154 cm ). Gift of Robert Gerard, 1970.
84336 Young Girls on the Edge of the Sea  Young Girls on the Edge of the Sea   61 x 46 cm (24 x 18.1 in), Oil on canvas Date 1879 cyf
54030 Young Women on the Seashore  Young Women on the Seashore   mk235 1879 Oil on canvas 20.5x154cm

Pierre Puvis de Chavannes
1824-1898 French Pierre Puvis de Chavannes Art Galleries Born in Lyons on Dec. 14, 1824, Pierre Puvis de Chavannes belonged to the generation of Gustave Courbet and ??douard Manet, and he was fully aware of their revolutionary achievements. Nevertheless, he was drawn to a more traditional and conservative style. From his first involvement with art, which began after a trip to Italy and which interrupted his intention to follow the engineering profession that his father practiced, Puvis pursued his career within the scope of academic classicism and the Salon. Even in this chosen arena, however, he was rejected, particularly during the 1850s. But he gradually won acceptance. By the 1880s he was an established figure in the Salons, and by the 1890s he was their acknowledged master. In both personal and artistic ways Puvis career was closely linked with the avant-grade. In the years of his growing public recognition, when he began to serve on Salon juries, he was consistently sympathetic to the work of younger, more radical artists. Later, as president of the Societe Nationale des Beaux-Arts - the new Salon, as it was called - he was able to exert even more of a liberalizing influence on the important annual exhibitions. Puvis sympathy to new and radical artistic directions was reflected in his own painting. Superficially he was a classicist, but his personal interpretation of that style was unconventional. His subject matter - religious themes, allegories, mythologies, and historical events - was clearly in keeping with the academic tradition. But his style eclipsed his outdated subjects: he characteristically worked with broad, simple compositions, and he resisted the dry photographic realism which had begun to typify academic painting about the end of the century. In addition, the space and figures in his paintings inclined toward flatness, calling attention to the surface on which the images were depicted. These qualities gave his work a modern, abstract look and distinguished it from the sterile tradition to which it might otherwise have been linked. Along with their modern, formal properties, Puvis paintings exhibited a serene and poetic range of feeling. His figures frequently seem to be wrapped in an aura of ritualistic mystery, as though they belong in a private world of dreams or visions. Yet these feelings invariably seem fresh and sincere. This combination of form and feeling deeply appealed to certain avant-garde artists of the 1880s and 1890s. Although Puvis claimed he was neither radical nor revolutionary, he was admired by the symbolist poets, writers, and painters - including Paul Gauguin and Maurice Denis - and he influenced the neoimpressionist painter Georges Seurat. During his mature career Puvis executed many mural paintings. In Paris he did the Life of St. Genevieve (1874-1878) in the Panth??on and Science, Art, and Letters (1880s) in the Sorbonne. In Lyons he executed the Sacred Grove, the Antique Vision, and Christian Inspiration (1880s) in the Mus??e des Beaux-Arts. He painted Pastoral Poetry (1895-1898) in the Boston Public Library. These commissions reflect the high esteem with which Puvis was regarded during his own lifetime. Among his most celebrated oil paintings are Hope (1872) and the Poor Fisherman (1881). He died in Paris on Oct. 10, 1898.

China Oil Painting Studio Team