BELLANGE, Jacques
French Painter, ca.1575-1616 Jacques Bellange (c. 1575, place unknown - 1616) was an artist and printmaker from Lorraine, now in France, whose etchings and some drawings are his only securely identified works today. They are among the most striking Mannerist old master prints. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht D?rer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement.

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BELLANGE, Jacques The Three Maries at the Tomb oil painting


The Three Maries at the Tomb
1620s Copper engraving, 43 x 28 cm Museum of Fine Arts, Boston
Painting ID::  5013
BELLANGE, Jacques
The Three Maries at the Tomb
1620s Copper engraving, 43 x 28 cm Museum of Fine Arts, Boston
   
   
     

BELLANGE, Jacques Lamentation of Christ oil painting


Lamentation of Christ
mk65 Oil on canvas 45x69"
Painting ID::  29184
BELLANGE, Jacques
Lamentation of Christ
mk65 Oil on canvas 45x69"
   
   
     

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     BELLANGE, Jacques
     French Painter, ca.1575-1616 Jacques Bellange (c. 1575, place unknown - 1616) was an artist and printmaker from Lorraine, now in France, whose etchings and some drawings are his only securely identified works today. They are among the most striking Mannerist old master prints. His known artistic activity dates only from 1602 to 1616 and he is now familiar chiefly for his etchings and drawings, all his decorative works and most of his paintings having perished. His highly idiosyncratic style was inspired by such Italian artists as Parmigianino, by the School of Fontainebleau and by northern artists including Albrecht D?rer and Bartholomeus Spranger. His work would seem to express a private and nervous religious sensibility through a style of the greatest refinement.

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