LEYSTER, Judith
Dutch Baroque Era Painter, 1609-1660 Dutch painter. A brewer's daughter, she had gained membership in the Haarlem painters' guild by age 24. Many of her known works, primarily portraits, genre paintings, and still lifes, were formerly attributed to her male contemporaries. Though the influence of Frans Hals is clear, she was also interested in the Baroque style of the Utrecht school. She embraced a greater range of subjects than other Dutch painters of the era

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LEYSTER, Judith Carousing Couple oil painting


Carousing Couple
1630 Oil on canvas, 68 x 54 cm Mus??e du Louvre, Paris
Painting ID::  7884
LEYSTER, Judith
Carousing Couple
1630 Oil on canvas, 68 x 54 cm Mus??e du Louvre, Paris
   
   
     

LEYSTER, Judith Jolly Toper oil painting


Jolly Toper
1629 Oil on canvas Frans Halsmuseum, Haarlem
Painting ID::  7885
LEYSTER, Judith
Jolly Toper
1629 Oil on canvas Frans Halsmuseum, Haarlem
   
   
     

LEYSTER, Judith The Proposition g oil painting


The Proposition g
1631 Oil on canvas Mauritshuis, The Hague
Painting ID::  7886
LEYSTER, Judith
The Proposition g
1631 Oil on canvas Mauritshuis, The Hague
   
   
     

LEYSTER, Judith Self-Portrait gu68 oil painting


Self-Portrait gu68
c. 1635 Oil on canvas, 72.3 x 65.3 cm National Gallery of Art, Washington
Painting ID::  7887
LEYSTER, Judith
Self-Portrait gu68
c. 1635 Oil on canvas, 72.3 x 65.3 cm National Gallery of Art, Washington
   
   
     

LEYSTER, Judith Serenade sg oil painting


Serenade sg
1629 Oil on canvas Rijksmuseum, Amsterdam
Painting ID::  7888
LEYSTER, Judith
Serenade sg
1629 Oil on canvas Rijksmuseum, Amsterdam
   
   
     

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     LEYSTER, Judith
     Dutch Baroque Era Painter, 1609-1660 Dutch painter. A brewer's daughter, she had gained membership in the Haarlem painters' guild by age 24. Many of her known works, primarily portraits, genre paintings, and still lifes, were formerly attributed to her male contemporaries. Though the influence of Frans Hals is clear, she was also interested in the Baroque style of the Utrecht school. She embraced a greater range of subjects than other Dutch painters of the era

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