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Vincenzo Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
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The Supper at Emmaus
1520/30
Galleria degli Uffizi, Florence
Painting ID:: 355
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The_Supper_at_Emmaus
1520/30
Galleria degli Uffizi, Florence
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Giangiorgio Trissino (mk05)
Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
Painting ID:: 20200
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Giangiorgio_Trissino_(mk05)
Canvas,28 1/2 x 25 1/4''(73 x 64 cm).Given to the Louvre in 1914
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The Supper at Emmaus
mk60
Panel
51 3/16"x97 7/8in
Painting ID:: 28311
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The_Supper_at_Emmaus
mk60
Panel
51 3/16"x97 7/8in
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A Muslim Warrior Adoring the Infant Christ and the Virgin
mk170
1520-1525
Oil on canvas
156.3x267.3cm
Painting ID:: 43034
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A_Muslim_Warrior_Adoring_the_Infant_Christ_and_the_Virgin
mk170
1520-1525
Oil on canvas
156.3x267.3cm
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Saint Jerome in His Study
mk170
Circa 1510
Oil on canvas
75.9x98.4cm
Painting ID:: 43035
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Saint_Jerome_in_His_Study
mk170
Circa 1510
Oil on canvas
75.9x98.4cm
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Vincenzo_Catena
Italian
c1480-1531
Vincenzo Catena Location
Italian painter. His paintings represent the perpetuation of the style of Giovanni Bellini into the second quarter of the 16th century. He made few concessions to the modern style that was being introduced to Venice by Titian, Palma Vecchio, Pordenone and others in the same period. This archaicizing tendency was shared by several minor Bellinesque painters of the period, including Pietro degli Ingannati, Pietro Duia, Francesco Bissolo, Vittore Belliniano and the Master of the Incredulity of St Thomas. Catena, together with Marco Basaiti, with whose works Catena are sometimes confused, can be considered the most accomplished of these. Despite the fact that he counted several humanists in his circle, the extant repertory of his subjects is limited to religious themes, mainly Marian and including three altarpieces, and to male portraits. The latter, as Vasari observed, include several of his finest works.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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