Oil Painting Artist::. BORDONE, Paris

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     BORDONE, Paris
    Italian High Renaissance Painter, 1500-1571 Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery. In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian. Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.

BORDONE, Paris Allegory ghyj oil painting artist
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Allegory ghyj
1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. Petersburg

     Painting ID::  5240
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Allegory_ghyj
1558-60 Oil on canvas, 110 x 131 cm The Hermitage, St. Petersburg

BORDONE, Paris Nude intp oil painting artist
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Nude intp
Pencil and chalk on paper, 32 x 20 cm Galleria degli Uffizi, Florence

     Painting ID::  5241
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Nude_intp
Pencil and chalk on paper, 32 x 20 cm Galleria degli Uffizi, Florence

BORDONE, Paris The Presentation of the Ring fdhfd oil painting artist
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The Presentation of the Ring fdhfd
1534 Oil on canvas, 370 x 301 cm Gallerie dell'Accademia, Venice

     Painting ID::  5242
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Presentation_of_the_Ring_fdhfd
1534 Oil on canvas, 370 x 301 cm Gallerie dell'Accademia, Venice

BORDONE, Paris Venus and Mars with Cupid oil painting artist
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Venus and Mars with Cupid
1559-60 Oil on canvas, 118 x 130,5 cm Galleria Doria-Pamphili, Rome

     Painting ID::  5243
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Venus_and_Mars_with_Cupid
1559-60 Oil on canvas, 118 x 130,5 cm Galleria Doria-Pamphili, Rome

BORDONE, Paris The Venetian Lovers oil painting artist
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The Venetian Lovers
Oil on canvas, 95 x 80 cm Pinacoteca di Brera, Milan

     Painting ID::  5244
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Venetian_Lovers
Oil on canvas, 95 x 80 cm Pinacoteca di Brera, Milan

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     BORDONE,_Paris
    Italian High Renaissance Painter, 1500-1571 Bordone was born at Treviso, but had moved to Venice by late adolescence. He apprenticed briefly and unhappily (according to Vasari) with Titian. Vasari may have met the elder Bordone. From the 1520s, we have works by Bordone including the Holy Family in Florence, Sacra Conversazione with Donor (Glasgow), and Holy Family with St. Catherine (Hermitage Museum). The St. Ambrose and a Donor (1523) is now in Brera. In 1525-6, Bordone painted an altarpiece for the church of S. Agostino in Crema, a Madonna with St. Christopher and St George (now in the Palazzo Tadini collection at Lovere). A second altarpiece, Pentecost, is now in Brera gallery. In 1534-5, he painted his large-scale masterpiece for the Scuola di San Marco a canvas of the Fisherman delivering the Marriage Ring of Venice to the Doge (Accademia). However, when this latter painting is compared to the near-contemoporary, and structurally similar, Presentation of the Virgin, Bordone's limitations, his use of superior perspective, which creates dwarfed distant perspectives, and limited coloration relative to the brilliant tints of Titian. Bordone is best at his smaller cabinet pieces, showing half-figures, semi-undressed men and women from mythology or religious stories in a muscular interaction despite the crowded space.

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