Oil Painting Artist::. CARRACCI, Agostino

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     CARRACCI, Agostino
    Italian Baroque Era Painter, 1557-1602 Painter, engraver and draughtsman, cousin of Ludovico Carracci. He abandoned his profession as a tailor, which was also that of his father, Antonio, and began training as a painter. According to Faberi, he studied first in the workshop of the painter Prospero Fontana (like Ludovico), then trained under the engraver and architect Domenico Tibaldi and under the sculptor Alessandro Menganti (1531-c. 1594). However, it is likely that Faberi's account was influenced by his desire to present Agostino's career as an example of the versatile 'cursus studiorum' advocated by the Accademia degli Incamminati. Other sources (Mancini, Malvasia, Bellori) agree that it was his cousin Ludovico who was responsible for directing him towards painting.

CARRACCI, Agostino Head of a Faun in a Concave (roundel) dsf oil painting artist
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Head of a Faun in a Concave (roundel) dsf
c. 1595 Pen and brown ink on laid paper, 181 x 187 mm National Gallery of Art, Washington

     Painting ID::  5922
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Head_of_a_Faun_in_a_Concave_(roundel)_dsf
c. 1595 Pen and brown ink on laid paper, 181 x 187 mm National Gallery of Art, Washington

CARRACCI, Agostino Landscape with Bathers oil painting artist
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Landscape with Bathers
mk65 Tempera on canvas 15 5/8x19 1/8in Pitti,Palatine Gallery

     Painting ID::  28907
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Landscape_with_Bathers
mk65 Tempera on canvas 15 5/8x19 1/8in Pitti,Palatine Gallery

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     CARRACCI,_Agostino
    Italian Baroque Era Painter, 1557-1602 Painter, engraver and draughtsman, cousin of Ludovico Carracci. He abandoned his profession as a tailor, which was also that of his father, Antonio, and began training as a painter. According to Faberi, he studied first in the workshop of the painter Prospero Fontana (like Ludovico), then trained under the engraver and architect Domenico Tibaldi and under the sculptor Alessandro Menganti (1531-c. 1594). However, it is likely that Faberi's account was influenced by his desire to present Agostino's career as an example of the versatile 'cursus studiorum' advocated by the Accademia degli Incamminati. Other sources (Mancini, Malvasia, Bellori) agree that it was his cousin Ludovico who was responsible for directing him towards painting.

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