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SASSOFERRATO
Italian Baroque Era Painter, 1609-1685
Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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The Mystic Marriage of St. Catherine f
1650
Oil on canvas
Wallace Collection, London
Painting ID:: 9067
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The_Mystic_Marriage_of_St._Catherine_f
1650
Oil on canvas
Wallace Collection, London
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Portrait of Monsignor Ottaviano Prati ar
c. 1650
Oil on canvas, 119 x 92 cm
Galleria Nazionale d'Arte Antica, Rome
Painting ID:: 9068
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Portrait_of_Monsignor_Ottaviano_Prati__ar
c. 1650
Oil on canvas, 119 x 92 cm
Galleria Nazionale d'Arte Antica, Rome
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The Virgin in Prayer a
1640-50
Oil on canvas, 73 x 58 cm
National Gallery, London
Painting ID:: 9069
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The_Virgin_in_Prayer_a
1640-50
Oil on canvas, 73 x 58 cm
National Gallery, London
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Madonna in Prayer sr
1640s
Oil on canvas
Accademia Carrara, Bergamo
Painting ID:: 9070
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Madonna_in_Prayer_sr
1640s
Oil on canvas
Accademia Carrara, Bergamo
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Self-Portrait
mk52
c.1650
oil on canva
38x32.5cm
Uffizi,Florence
Painting ID:: 26801
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Self-Portrait
mk52
c.1650
oil on canva
38x32.5cm
Uffizi,Florence
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SASSOFERRATO
Italian Baroque Era Painter, 1609-1685
Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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