Oil Painting Artist::. Barocci, Federico

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     Barocci, Federico
    Italian, 1535-1612 .Italian painter. The leading altar painter in Italy in the second half of the 16th century, he enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. His patrons included the Pope, Emperor, King of Spain and Grand Duke of Tuscany, and among his admirers were Lodovico Cigoli, Annibale Carracci, Rubens and Guido Reni. However, his work did not begin to receive the acclaim accorded that of Tintoretto or El Greco until the mid-20th century. Several factors have obscured his importance, notably the relative inaccessibility and scarcity of his painted works, most of which were done on commission for specific locations in remote parts of Italy (where they have remained), and the type of painting he produced, which was almost exclusively devoted to religious subjects. He executed very few easel paintings. No autograph example of his painted work has ever left Europe, the portrait of Quintilia Fischieri (c. 1600; Washington, DC, N.G.A.) and pair of portraits of Federigo Ubaldo, Prince of Urbino

Barocci, Federico The Nativity oil painting artist
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The Nativity
1597, oil on canvas, Museo del Prado, Madrid.

     Painting ID::  9787
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Nativity
1597, oil on canvas, Museo del Prado, Madrid.

Barocci, Federico The Circumcision (mk05) oil painting artist
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The Circumcision (mk05)
1590 Canvas,140 1/4 x 99''(356 x 251 cm)Painted for the high altar of a church at Pesaro from which it came in 1797;entered the Louvre in 1789;ceded to the Cathedral of Notre Dame de Paris for sixty years and given by the Chapter in 1862

     Painting ID::  20313
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Circumcision_(mk05)
1590 Canvas,140 1/4 x 99''(356 x 251 cm)Painted for the high altar of a church at Pesaro from which it came in 1797;entered the Louvre in 1789;ceded to the Cathedral of Notre Dame de Paris for sixty years and given by the Chapter in 1862

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     Barocci,_Federico
    Italian, 1535-1612 .Italian painter. The leading altar painter in Italy in the second half of the 16th century, he enjoyed a greater popularity and exerted a more profound influence on the art of his time than any of his contemporaries. His patrons included the Pope, Emperor, King of Spain and Grand Duke of Tuscany, and among his admirers were Lodovico Cigoli, Annibale Carracci, Rubens and Guido Reni. However, his work did not begin to receive the acclaim accorded that of Tintoretto or El Greco until the mid-20th century. Several factors have obscured his importance, notably the relative inaccessibility and scarcity of his painted works, most of which were done on commission for specific locations in remote parts of Italy (where they have remained), and the type of painting he produced, which was almost exclusively devoted to religious subjects. He executed very few easel paintings. No autograph example of his painted work has ever left Europe, the portrait of Quintilia Fischieri (c. 1600; Washington, DC, N.G.A.) and pair of portraits of Federigo Ubaldo, Prince of Urbino

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