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Maurer, Alfred Henry
American Painter, 1868-1932
American painter. He studied at the National Academy of Design, New York, in 1884 and briefly at the Acad?mie Julian, Paris, during 1897. He received critical success with academic paintings of single female figures in interiors and genre scenes of caf? society, which reflected the influence of the work of James Abbott McNeill Whistler and William Merritt Chase, for example At the Caf? (c. 1905; St Petersburg, Hermitage). His long residence in Paris from 1897, his participation in various independent salons and his association with Leo and Gertrude Stein led to his interest in avant-garde art. He may have been one of a group of Americans who studied briefly with Henri Matisse. By 1907 he was producing vigorously painted Fauvist landscapes, such as Landscape with Red Tree
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An Arrangement
1901
Oil on cardboard
Whitney Museum of American Art, New York.
Painting ID:: 19343
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An_Arrangement
1901
Oil on cardboard
Whitney Museum of American Art, New York.
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In a Cafe
1905
Oil on cardboard
The Hermitage, St. Petersburg.
Painting ID:: 19344
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In_a_Cafe
1905
Oil on cardboard
The Hermitage, St. Petersburg.
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Still-Life with Doily
1930
Oil on board.
Painting ID:: 19345
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Still-Life_with_Doily
1930
Oil on board.
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In a Cafe
mk65
1905
Oil on cardboard
35 1/2x31"
Painting ID:: 29274
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In_a_Cafe
mk65
1905
Oil on cardboard
35 1/2x31"
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Women with Curlers
mk77
c.1930-32
Oil on board
26x18in
Painting ID:: 31975
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Women_with_Curlers
mk77
c.1930-32
Oil on board
26x18in
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Maurer,_Alfred_Henry
American Painter, 1868-1932
American painter. He studied at the National Academy of Design, New York, in 1884 and briefly at the Acad?mie Julian, Paris, during 1897. He received critical success with academic paintings of single female figures in interiors and genre scenes of caf? society, which reflected the influence of the work of James Abbott McNeill Whistler and William Merritt Chase, for example At the Caf? (c. 1905; St Petersburg, Hermitage). His long residence in Paris from 1897, his participation in various independent salons and his association with Leo and Gertrude Stein led to his interest in avant-garde art. He may have been one of a group of Americans who studied briefly with Henri Matisse. By 1907 he was producing vigorously painted Fauvist landscapes, such as Landscape with Red Tree
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