Oil Painting Artist::. Charles conder

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     Charles conder
    English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

Charles conder Departure of thte OrientCircularQuay (nn02) oil painting artist
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Departure of thte OrientCircularQuay (nn02)
1888 Oil on canvas 17 3/4x19 3/4" Purchased 1888

     Painting ID::  23086
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Departure_of_thte_OrientCircularQuay_(nn02)
1888 Oil on canvas 17 3/4x19 3/4" Purchased 1888

Charles conder Holiday at Mentone (nn02) oil painting artist
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Holiday at Mentone (nn02)
1888 Oil on canvas 18 1/4x24"

     Painting ID::  23090
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Holiday_at_Mentone_(nn02)
1888 Oil on canvas 18 1/4x24"

Charles conder Springtime (nn02) oil painting artist
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Springtime (nn02)
1888 Oil on canvas 17 3/5x23 1/4

     Painting ID::  23091
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Springtime_(nn02)
1888 Oil on canvas 17 3/5x23 1/4

Charles conder Yarding Sheep (nn02) oil painting artist
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Yarding Sheep (nn02)
1890 Oil on canvas 14x22 1/16"

     Painting ID::  23092
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Yarding_Sheep_(nn02)
1890 Oil on canvas 14x22 1/16"

Charles conder Departure of the SS Orient from Circular Quay oil painting artist
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Departure of the SS Orient from Circular Quay
1888 Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in) Art Gallery of New South Wales,Sydney (mk63)

     Painting ID::  28034
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Departure_of_the_SS_Orient_from_Circular_Quay
1888 Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in) Art Gallery of New South Wales,Sydney (mk63)

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     Charles_conder
    English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

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