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Carl Haag
1820 - 1915
German painter, active in Britain. After studying in Nuremberg, he painted miniature portraits in Munich and Brussels. In 1847 he went to London to study English techniques of watercolour painting and evolved a method that he claimed achieved the 'brilliancy of oil painting, combined with the tender-sweetness of water-colours' . From 1850 he exhibited at the Society of Painters in Water-Colours and was elected a full member in 1853.
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A Bridal Procession in Damascus (mk32)
(Procession nuptiale a Damas) aquarelle signee et datee 1892
110.5 x 57.2 cm Anc Mathal Gallery Londres Damas
Painting ID:: 25177
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A_Bridal_Procession_in_Damascus_(mk32)
(Procession nuptiale a Damas) aquarelle signee et datee 1892
110.5 x 57.2 cm Anc Mathal Gallery Londres Damas
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Portrait of Sheikh Medjuel el-Mezrab
( Palmyra ). 1859. © Tareq Rajab Museum, Kuwait.
Painting ID:: 61860
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Portrait_of_Sheikh_Medjuel_el-Mezrab
( Palmyra ). 1859. © Tareq Rajab Museum, Kuwait.
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A Jerusalemite Shepherd Winding the Phylacteries for the Hand
1895. Watercolor on paper. 13.75 x 9.75 in. (34.9 x 24.7cm). Courtesy Dreweatt Neate Fine Art Auctioneers, England.
Painting ID:: 61879
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A_Jerusalemite_Shepherd_Winding_the_Phylacteries_for_the_Hand
1895. Watercolor on paper. 13.75 x 9.75 in. (34.9 x 24.7cm). Courtesy Dreweatt Neate Fine Art Auctioneers, England.
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The Mosque of the Howling Dervishes, near Case el Ali, Cairo.
1874. Watercolor. 14.25 x 20.25 in. (36.2 x 51.4 cm). Courtesy Dreweatt - Neate Fine Art Auctioneers, England.
Painting ID:: 61882
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The_Mosque_of_the_Howling_Dervishes,_near_Case_el_Ali,_Cairo.
1874. Watercolor. 14.25 x 20.25 in. (36.2 x 51.4 cm). Courtesy Dreweatt - Neate Fine Art Auctioneers, England.
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Portrait of Jane Digby el Mezrab
1859.
oil painting on canvas.
Painting ID:: 61972
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Portrait_of_Jane_Digby_el_Mezrab
1859.
oil painting on canvas.
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Carl_Haag
1820 - 1915
German painter, active in Britain. After studying in Nuremberg, he painted miniature portraits in Munich and Brussels. In 1847 he went to London to study English techniques of watercolour painting and evolved a method that he claimed achieved the 'brilliancy of oil painting, combined with the tender-sweetness of water-colours' . From 1850 he exhibited at the Society of Painters in Water-Colours and was elected a full member in 1853.
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