Oil Painting Artist::. Giovanni Paolo Lomazzo

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     Giovanni Paolo Lomazzo
    1538 - 1600 was an Italian painter, belonging to the second generation that produced Mannerism in Italian art and architecture. Gian Paolo Lomazzo was born in Milan from a family emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large Allegory of the Lenten Feast for San Agostino in Piacenza (1567). He also painted an elaborate dome with Glory of Angels for the Capella Foppa in San Marco in Milan. He also painted the Fall of Simon Magus in the wall of the chapel. Lomazzo became blind in 1571, and turning to writing, produced two complex treatises that are milestones in the development of art criticism. His first work, Trattato dell'arte della pittura, scoltura et architettura (1584) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity, which controlled a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable; Lespingola offered a systematic codification of esthetics that typifies the increasingly formalized and academic approaches typical of the later sixteenth century. His less practical and more metaphysical Idea del tempio della pittura ("The ideal temple of painting", 1590) offers a description along the lines of the "four temperaments" theory of the human nature and personality,

Giovanni Paolo Lomazzo Self-Portrait as Abbot of the Accademiglia oil painting artist
 Click Image to Enlarge
Self-Portrait as Abbot of the Accademiglia
mk52 Oil on canvas 56x44cm Brera,Milan

     Painting ID::  26759
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-Portrait_as_Abbot_of_the_Accademiglia
mk52 Oil on canvas 56x44cm Brera,Milan

Giovanni Paolo Lomazzo Self-portrait oil painting artist
 Click Image to Enlarge
Self-portrait
Date between 1557(1557) and 1559(1559) Medium Oil on paper mounted on panel cjr

     Painting ID::  84576
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait
Date between 1557(1557) and 1559(1559) Medium Oil on paper mounted on panel cjr

Giovanni Paolo Lomazzo Self-portrait oil painting artist
 Click Image to Enlarge
Self-portrait
between 1557(1557) and 1559(1559) Medium Oil on paper mounted on panel cyf

     Painting ID::  88439
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait
between 1557(1557) and 1559(1559) Medium Oil on paper mounted on panel cyf

Giovanni Paolo Lomazzo self portrait as Abbot of the Accademia della Val di Blenio oil painting artist
 Click Image to Enlarge
self portrait as Abbot of the Accademia della Val di Blenio
circa 1568(1568) Medium oil on canvas cyf

     Painting ID::  95742
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  self_portrait_as_Abbot_of_the_Accademia_della_Val_di_Blenio
circa 1568(1568) Medium oil on canvas cyf

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     Giovanni_Paolo_Lomazzo
    1538 - 1600 was an Italian painter, belonging to the second generation that produced Mannerism in Italian art and architecture. Gian Paolo Lomazzo was born in Milan from a family emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large Allegory of the Lenten Feast for San Agostino in Piacenza (1567). He also painted an elaborate dome with Glory of Angels for the Capella Foppa in San Marco in Milan. He also painted the Fall of Simon Magus in the wall of the chapel. Lomazzo became blind in 1571, and turning to writing, produced two complex treatises that are milestones in the development of art criticism. His first work, Trattato dell'arte della pittura, scoltura et architettura (1584) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity, which controlled a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable; Lespingola offered a systematic codification of esthetics that typifies the increasingly formalized and academic approaches typical of the later sixteenth century. His less practical and more metaphysical Idea del tempio della pittura ("The ideal temple of painting", 1590) offers a description along the lines of the "four temperaments" theory of the human nature and personality,

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