Oil Painting Artist::. Francesco Parmigianino

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     Francesco Parmigianino
    1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.

Francesco Parmigianino Self-portrait in a Convex Mirror oil painting artist
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Self-portrait in a Convex Mirror
mk176 1524

     Painting ID::  44895
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait_in_a_Convex_Mirror
mk176 1524

Francesco Parmigianino Virgin and Child oil painting artist
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Virgin and Child
between 1525(1525) and 1527(1527) Medium Oil on panel cyf

     Painting ID::  87694
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Virgin_and_Child
between 1525(1525) and 1527(1527) Medium Oil on panel cyf

Francesco Parmigianino Santa Trinita Altarpiece oil painting artist
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Santa Trinita Altarpiece
between 1455(1455) and 1460(1460) Medium tempera and oil on wood cyf

     Painting ID::  97112
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Santa_Trinita_Altarpiece
between 1455(1455) and 1460(1460) Medium tempera and oil on wood cyf

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     Francesco_Parmigianino
    1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.

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