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Carl Gustaf Pilo
Swedish Painter, 1711-1793,Swedish painter. His father, Olof Pijhlou (1668-1753), was an artist. Pilo may have travelled to Vienna and Germany, and it is probable that he studied at the Drawing Academy established in Stockholm in 1735. From 1737 he was engaged as a portrait painter by members of the southern Swedish aristocracy (e.g. Baron Malte Ramel; evedskloster, priv. col.). About 1740 he settled in Copenhagen, where he swiftly rose to a position of importance: following the enthusiastic reception of his portrait of Louise of England, the wife of the future Frederick V (Copenhagen, Stat. Mus. Kst, on loan to Amalienborg Castle), he was appointed court painter in 1745 and drawing-master to Crown Prince Christian (later Christian VII) in 1759. Pilo was appointed professor at the Royal Academy of Art in Copenhagen in 1748 and for the next two decades was recognized as the foremost portrait painter in Denmark.
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Queen Louise
mk187
1751
Oil slick pa screen
211x119cm
Painting ID:: 48842
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Queen_Louise
mk187
1751
Oil slick pa screen
211x119cm
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Princess Sofia Magdalena
mk187
1765
Oil slick pa screen
92x71cm
Painting ID:: 48843
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Princess_Sofia_Magdalena
mk187
1765
Oil slick pa screen
92x71cm
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Wife Charlotta Pilo,Fodd Desmarees
mk187
Presumably 1756 Wax pa tra 36x29.5cm
Painting ID:: 48846
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Wife_Charlotta_Pilo,Fodd_Desmarees
mk187
Presumably 1756 Wax pa tra 36x29.5cm
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Gustav II S Chronic
mk187
1782-93
Ofullbordad
Oil slick pa screen
293x531cm
Painting ID:: 48847
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Gustav_II_S_Chronic
mk187
1782-93
Ofullbordad
Oil slick pa screen
293x531cm
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Detail of Gustav II S Chronic
mk187
1782-93
Ofullbordad
Oil slick pa screen 293x531cm
Painting ID:: 48848
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Detail_of_Gustav_II_S_Chronic
mk187
1782-93
Ofullbordad
Oil slick pa screen 293x531cm
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Carl_Gustaf_Pilo
Swedish Painter, 1711-1793,Swedish painter. His father, Olof Pijhlou (1668-1753), was an artist. Pilo may have travelled to Vienna and Germany, and it is probable that he studied at the Drawing Academy established in Stockholm in 1735. From 1737 he was engaged as a portrait painter by members of the southern Swedish aristocracy (e.g. Baron Malte Ramel; evedskloster, priv. col.). About 1740 he settled in Copenhagen, where he swiftly rose to a position of importance: following the enthusiastic reception of his portrait of Louise of England, the wife of the future Frederick V (Copenhagen, Stat. Mus. Kst, on loan to Amalienborg Castle), he was appointed court painter in 1745 and drawing-master to Crown Prince Christian (later Christian VII) in 1759. Pilo was appointed professor at the Royal Academy of Art in Copenhagen in 1748 and for the next two decades was recognized as the foremost portrait painter in Denmark.
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