Oil Painting Artist::. Jacob Maris

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     Jacob Maris
     (August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.

Jacob Maris Dutch Town on the Edge of the Sea oil painting artist
 Click Image to Enlarge
Dutch Town on the Edge of the Sea
1883 2' 4 3/4'' x 4' 2' (73 x 127 cm)Gift of Abraham Preyer,1926

     Painting ID::  11808
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Dutch_Town_on_the_Edge_of_the_Sea
1883 2' 4 3/4'' x 4' 2' (73 x 127 cm)Gift of Abraham Preyer,1926

Jacob Maris Village near Schiedam oil painting artist
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Village near Schiedam
oil on canvas, 48,5 x 78,5 cm cjr

     Painting ID::  74498
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Village_near_Schiedam
oil on canvas, 48,5 x 78,5 cm cjr

Jacob Maris Praying Monk oil painting artist
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Praying Monk
1864(1864) Medium oil on copper Dimensions 21.5 X 15.5 cm (8.5 X 6.1 in) cjr

     Painting ID::  92970
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Praying_Monk
1864(1864) Medium oil on copper Dimensions 21.5 X 15.5 cm (8.5 X 6.1 in) cjr

Jacob Maris Harbour View oil painting artist
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Harbour View
c. 1887(1887) Medium oil on canvas Dimensions 30 X 45.5 cm (11.8 X 17.9 in) cjr

     Painting ID::  92971
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Harbour_View
c. 1887(1887) Medium oil on canvas Dimensions 30 X 45.5 cm (11.8 X 17.9 in) cjr

Jacob Maris Gray day with ships oil painting artist
 Click Image to Enlarge
Gray day with ships
1877(1877) Medium oil on canvas Dimensions 60 X 38 cm (23.6 X 15 in) cjr

     Painting ID::  92972
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Gray_day_with_ships
1877(1877) Medium oil on canvas Dimensions 60 X 38 cm (23.6 X 15 in) cjr

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     Jacob_Maris
     (August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.

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