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Cornelis de Heem
Dutch Baroque Era Painter, 1631-1695
Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.
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Still Life with Flowers
1660
Painting ID:: 1591
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Still_Life_with_Flowers
1660
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Vanitas Still-Life with Musical Instruments after 1661
1661 Oil on canvas, 153 x 166,5 cm
Painting ID:: 52234
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Vanitas_Still-Life_with_Musical_Instruments_after_1661
1661 Oil on canvas, 153 x 166,5 cm
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A Garland of Fruit
Date 17th century
Medium Oil on oak panel
Dimensions 34.6 ?? 27.3 cm (13.6 ?? 10.7 in)
cyf
Painting ID:: 76286
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A_Garland_of_Fruit
Date 17th century
Medium Oil on oak panel
Dimensions 34.6 ?? 27.3 cm (13.6 ?? 10.7 in)
cyf
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Still-Life with Oysters, Lemons and Grapes
Date 1660s
Medium Oil on oak
Dimensions Height: 37 cm (14.6 in). Width: 45 cm (17.7 in).
cjr
Painting ID:: 86527
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Still-Life_with_Oysters,_Lemons_and_Grapes
Date 1660s
Medium Oil on oak
Dimensions Height: 37 cm (14.6 in). Width: 45 cm (17.7 in).
cjr
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Still-Life with Oysters
1660s
Medium oil on oak
cyf
Painting ID:: 89365
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Still-Life_with_Oysters
1660s
Medium oil on oak
cyf
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Cornelis_de_Heem
Dutch Baroque Era Painter, 1631-1695
Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.
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