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GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614
Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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The Annunciation sdgm
1569-70
Tempera on panel, 26,5 x 19,5 cm
Museo del Prado, Madrid
Painting ID:: 7049
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The_Annunciation_sdgm
1569-70
Tempera on panel, 26,5 x 19,5 cm
Museo del Prado, Madrid
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Christ Healing the Blind dfh
c. 1570
Oil on canvas, 50 x 61 cm
Pinacoteca, Parma
Painting ID:: 7050
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Christ_Healing_the_Blind_dfh
c. 1570
Oil on canvas, 50 x 61 cm
Pinacoteca, Parma
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Christ Healing the Blind fg
c. 1570
Oil on wood, 66 x 84 cm
Gemäldegalerie, Dresden
Painting ID:: 7051
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Christ_Healing_the_Blind_fg
c. 1570
Oil on wood, 66 x 84 cm
Gemäldegalerie, Dresden
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Portrait of Giulio Clovio dfy
c. 1571
Oil on canvas, 63 x 88,5 cm
Museo Nazionale di Capodimonte, Naples
Painting ID:: 7052
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Portrait_of_Giulio_Clovio_dfy
c. 1571
Oil on canvas, 63 x 88,5 cm
Museo Nazionale di Capodimonte, Naples
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The Piet (The Lamentation of Christ) dfh
1571-76
Tempera on panel. 29 x 20 cm
Philadelphia Museum of Art, Philadelphia
Painting ID:: 7053
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The_Piet_(The_Lamentation_of_Christ)_dfh
1571-76
Tempera on panel. 29 x 20 cm
Philadelphia Museum of Art, Philadelphia
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GRECO,_El
Greek-born Spanish Mannerist Painter, 1541-1614
Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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