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GENTILESCHI, Artemisia
Italian Baroque Era Painter, 1593-1652
Tuscan painter, daughter and pupil of Orazio Gentileschi, b. Rome. She studied under Agostino Tassi, her father's collaborator, who was convicted of raping the teen-age Artemisia in 1612. Over the years, she has been portrayed as a strumpet, a feminist victim or heroine, and an independent woman of her era and her life has been fictionalized in several novels and plays. In purely artistic terms, she achieved renown for her spirited execution and admirable use of chiaroscuro in the style of Caravaggio, and during her life she achieved both success and fame. In 1616 she became the first woman admitted to the Academy of Design in Florence. About 1638 she visited England, where she was in great demand as a portraitist. Among her works are Judith and Holofernes (Uffizi);
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Judith and her Maidservant sdg
1612-1613
Oil on canvas, 114 x 93.5 cm
Galleria Palatina (Palazzo Pitti), Florence
Painting ID:: 6820
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Judith_and_her_Maidservant__sdg
1612-1613
Oil on canvas, 114 x 93.5 cm
Galleria Palatina (Palazzo Pitti), Florence
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Mary Magdalen df
1613-20
Oil on canvas, 146.5 x 108 cm
Galleria Palatina (Palazzo Pitti), Florence
Painting ID:: 6821
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Mary_Magdalen_df
1613-20
Oil on canvas, 146.5 x 108 cm
Galleria Palatina (Palazzo Pitti), Florence
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Self-Portrait as the Allegory of Painting fdg
1630s
Oil on canvas, 96,5 x 73,7 cm
Royal Collection, Windsor
Painting ID:: 6822
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Self-Portrait_as_the_Allegory_of_Painting_fdg
1630s
Oil on canvas, 96,5 x 73,7 cm
Royal Collection, Windsor
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Susanna and the Elders gfg
1610
Oil on canvas, 170 x 121 cm
Schloss Weissenstein, Pommersfelden
Painting ID:: 6824
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Susanna_and_the_Elders_gfg
1610
Oil on canvas, 170 x 121 cm
Schloss Weissenstein, Pommersfelden
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GENTILESCHI,_Artemisia
Italian Baroque Era Painter, 1593-1652
Tuscan painter, daughter and pupil of Orazio Gentileschi, b. Rome. She studied under Agostino Tassi, her father's collaborator, who was convicted of raping the teen-age Artemisia in 1612. Over the years, she has been portrayed as a strumpet, a feminist victim or heroine, and an independent woman of her era and her life has been fictionalized in several novels and plays. In purely artistic terms, she achieved renown for her spirited execution and admirable use of chiaroscuro in the style of Caravaggio, and during her life she achieved both success and fame. In 1616 she became the first woman admitted to the Academy of Design in Florence. About 1638 she visited England, where she was in great demand as a portraitist. Among her works are Judith and Holofernes (Uffizi);
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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