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James Abbott Mcneill Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
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arrangemang i gratt och svart nr 1 konstnarens moder
mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
Painting ID:: 56713
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arrangemang_i_gratt_och_svart_nr_1_konstnarens_moder
mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
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Nocturne in Black and Gold
mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
Painting ID:: 56968
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Nocturne_in_Black_and_Gold
mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
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Arrangement in Gray Portrait of the Painter
Arrangement in Gray: Portrait of the Painter
(self portrait, c. 1872), Detroit Institute of Arts
Painting ID:: 61605
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Arrangement_in_Gray_Portrait_of_the_Painter
Arrangement in Gray: Portrait of the Painter
(self portrait, c. 1872), Detroit Institute of Arts
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Portrait of Whistler with Hat
Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
Painting ID:: 61606
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Portrait_of_Whistler_with_Hat
Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
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Symphony in White,
Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
Painting ID:: 61607
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Symphony_in_White,
Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
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James_Abbott_Mcneill_Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
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