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kees van dongen
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
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Iorso
mk289 1905 oil on canvas 92x81cm private collection
Painting ID:: 66520
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Iorso
mk289 1905 oil on canvas 92x81cm private collection
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guus and dolly motber and cbild
mk289 1905 oil on canvas 73x92cm private collection
Painting ID:: 66523
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guus_and_dolly_motber_and_cbild
mk289 1905 oil on canvas 73x92cm private collection
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Ibe violin player
mk289 1920 oil on canvas 81x60cm musee d art moderne liege
Painting ID:: 66524
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Ibe_violin_player
mk289 1920 oil on canvas 81x60cm musee d art moderne liege
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loulou
mk289 1924-25 oil on canvas 56x47cm museum of fine arts st petersburg florida
Painting ID:: 66527
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loulou
mk289 1924-25 oil on canvas 56x47cm museum of fine arts st petersburg florida
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vilande naken kvinna
1904-1905
se
Painting ID:: 68079
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vilande_naken_kvinna
1904-1905
se
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kees_van_dongen
kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
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