Oil Painting Artist::. Guido Cagnacci

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     Guido Cagnacci
     (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.

Guido Cagnacci Jesus and John the Baptist as children oil painting artist
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Jesus and John the Baptist as children
Jesus and John the Baptist as children, oil on canvas, 126 x 93 cm Date 17th century cjr

     Painting ID::  81059
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Jesus_and_John_the_Baptist_as_children
Jesus and John the Baptist as children, oil on canvas, 126 x 93 cm Date 17th century cjr

Guido Cagnacci Death of Cleopatra oil painting artist
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Death of Cleopatra
nach 1659 Medium Oil on canvas Dimensions Deutsch: 153 x 168,5 cm cjr

     Painting ID::  81557
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Death_of_Cleopatra
nach 1659 Medium Oil on canvas Dimensions Deutsch: 153 x 168,5 cm cjr

Guido Cagnacci Maddalena svenuta oil painting artist
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Maddalena svenuta
ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma Date 1663 cyf

     Painting ID::  81865
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maddalena_svenuta
ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma Date 1663 cyf

Guido Cagnacci Death of Cleopatra oil painting artist
 Click Image to Enlarge
Death of Cleopatra
nach 1659 Medium Oil on canvas cyf

     Painting ID::  85569
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Death_of_Cleopatra
nach 1659 Medium Oil on canvas cyf

Guido Cagnacci La morte di Cleopatra oil painting artist
 Click Image to Enlarge
La morte di Cleopatra
c. 1660 Medium ol/tl Dimensions 120 x 158 cm (47.2 x 62.2 in) cyf

     Painting ID::  95764
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  La_morte_di_Cleopatra
c. 1660 Medium ol/tl Dimensions 120 x 158 cm (47.2 x 62.2 in) cyf

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     Guido_Cagnacci
     (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.

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