Oil Painting Artist::. Domenico Fetti

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     Domenico Fetti
    Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.

Domenico Fetti Melancholy oil painting artist
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Melancholy
Date ca. 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cjr

     Painting ID::  83752
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Melancholy
Date ca. 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cjr

Domenico Fetti Parable of the Lost Drachma oil painting artist
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Parable of the Lost Drachma
Date ca. 1618(1618) Medium Oil on wood Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in). cjr

     Painting ID::  84610
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Parable_of_the_Lost_Drachma
Date ca. 1618(1618) Medium Oil on wood Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in). cjr

Domenico Fetti Parable of the Lost Drachma oil painting artist
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Parable of the Lost Drachma
Date between 1618(1618) and 1622(1622) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in). cjr

     Painting ID::  84665
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Parable_of_the_Lost_Drachma
Date between 1618(1618) and 1622(1622) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in). cjr

Domenico Fetti The Parable of the Mote and the Beam oil painting artist
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The Parable of the Mote and the Beam
c. 1619 Medium English: Oil on wood Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm) cjr

     Painting ID::  87584
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Parable_of_the_Mote_and_the_Beam
c. 1619 Medium English: Oil on wood Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm) cjr

Domenico Fetti Melancholy oil painting artist
 Click Image to Enlarge
Melancholy
1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf

     Painting ID::  87669
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Melancholy
1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf

         1  2  3  4  5   
Prev Artist       Next Artist     

     Domenico_Fetti
    Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.

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