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Nicolae Grigorescu
Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
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Saint George
nn06
1860
iconostasis door,
Oil on wood
Agopia Monastery
Painting ID:: 30722
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Saint_George
nn06
1860
iconostasis door,
Oil on wood
Agopia Monastery
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Dragos Fighting the Bison
nn06
1863-1864
Oil on cardboard
30x40cm
National Art Museum of Romania,
Bucharest
Painting ID:: 30723
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Dragos_Fighting_the_Bison
nn06
1863-1864
Oil on cardboard
30x40cm
National Art Museum of Romania,
Bucharest
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The Church of Puchenii Mari
nn06
the nave with the iconostasis
Painting ID:: 30724
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The_Church_of_Puchenii_Mari
nn06
the nave with the iconostasis
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Peasant Watching her Cows at Barbizon
nn06
Oil on wood
31x48cm
Painting ID:: 30725
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Peasant_Watching_her_Cows_at_Barbizon
nn06
Oil on wood
31x48cm
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In the Woods of Fontainebleau
nn06
Oil on canvas
53.5x38cm
Bucharest
Painting ID:: 30726
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In_the_Woods_of__Fontainebleau
nn06
Oil on canvas
53.5x38cm
Bucharest
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Nicolae_Grigorescu
Romanian Painter, 1838-1907
From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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