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Giovanni Paolo Pannini
1691-1765
Italian
Giovanni Paolo Pannini Galleries
Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.
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Interior of the San Giovanni in Laterano in Rome
Medium Oil on canvas
Dimensions Expression error: Missing operand for *74 ?? 100 cm
Painting ID:: 70607
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Interior_of_the_San_Giovanni_in_Laterano_in_Rome
Medium Oil on canvas
Dimensions Expression error: Missing operand for *74 ?? 100 cm
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Galerie de vues de la Rome antique
Medium Oil on canvas
Dimensions Expression error: Missing operand for *231 ?? 303 cm
Painting ID:: 70718
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Galerie_de_vues_de_la_Rome_antique
Medium Oil on canvas
Dimensions Expression error: Missing operand for *231 ?? 303 cm
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Interior of a Picture Gallery with the Collection of Cardinal Silvio Valenti Gonzaga
Date 1740
Medium Oil on canvas
Dimensions ? X cm
cyf
Painting ID:: 72639
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Interior_of_a_Picture_Gallery_with_the_Collection_of_Cardinal_Silvio_Valenti_Gonzaga
Date 1740
Medium Oil on canvas
Dimensions ? X cm
cyf
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Interior of St Peter s Rome
Date 1731
Medium Oil on canvas
Dimensions 145.7 x 228.3 cm
cyf
Painting ID:: 75221
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Interior_of_St_Peter_s_Rome
Date 1731
Medium Oil on canvas
Dimensions 145.7 x 228.3 cm
cyf
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Rome, The Piazza and Church of Santa Maria Maggiore
Date 1744(1744)
Medium Oil on canvas
cjr
Painting ID:: 82186
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Rome,_The_Piazza_and_Church_of_Santa_Maria_Maggiore
Date 1744(1744)
Medium Oil on canvas
cjr
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Giovanni_Paolo_Pannini
1691-1765
Italian
Giovanni Paolo Pannini Galleries
Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.
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