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Theodore Gericault
French Romantic Painter, 1791-1824
Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent.
The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
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details The Raft of the Medusa (mk10)
1819,Oil on canvas
491 x 716 cm
Paris,Musee du Louvre
Painting ID:: 21755
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details_The_Raft_of_the_Medusa_(mk10)
1819,Oil on canvas
491 x 716 cm
Paris,Musee du Louvre
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The Raft of the Medusa (mk10)
1819,Oil on canvas,
491 x 716 cm
Paris,musee du Louvre
Painting ID:: 21759
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The_Raft_of_the_Medusa_(mk10)
1819,Oil on canvas,
491 x 716 cm
Paris,musee du Louvre
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Chasseur of the Imperial Guard,Charging (mk10)
Around 1812,oil on paper
Mounted on canvas 43 x 35.5 cm
Rouen,Musee des Beaux-Arts
Painting ID:: 21840
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Chasseur_of_the_Imperial_Guard,Charging_(mk10)
Around 1812,oil on paper
Mounted on canvas 43 x 35.5 cm
Rouen,Musee des Beaux-Arts
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Raft of the Medusa
mk156
c.1818
Oil on canvas
491x716cm
Painting ID:: 40659
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Raft_of_the_Medusa
mk156
c.1818
Oil on canvas
491x716cm
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The Madwoman or the Obsession of Envy
mk156
c.1822
Oil on canvas
72x58cm
Painting ID:: 40666
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The_Madwoman_or_the_Obsession_of_Envy
mk156
c.1822
Oil on canvas
72x58cm
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Theodore___Gericault
French Romantic Painter, 1791-1824
Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent.
The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.
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