Oil Painting Artist::. Bartolome Esteban Murillo

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     Bartolome Esteban Murillo
    Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

Bartolome Esteban Murillo Annunciation (mk08) oil painting artist
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Annunciation (mk08)
c.1660-1665 Oil on canvas 125x103cm Madrid,Museo del Prado

     Painting ID::  21634
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Annunciation_(mk08)
c.1660-1665 Oil on canvas 125x103cm Madrid,Museo del Prado

Bartolome Esteban Murillo The Toilette (mk08) oil painting artist
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The Toilette (mk08)
c.1670-1675 Oil on canvas. 147x113cm Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek

     Painting ID::  21635
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Toilette_(mk08)
c.1670-1675 Oil on canvas. 147x113cm Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek

Bartolome Esteban Murillo La Immaculada (mk08) oil painting artist
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La Immaculada (mk08)
Oil on canvas. 96x64cm Madrid,Museo del Prado

     Painting ID::  21636
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  La_Immaculada_(mk08)
Oil on canvas. 96x64cm Madrid,Museo del Prado

Bartolome Esteban Murillo The Little Fruit Seller (mk08) oil painting artist
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The Little Fruit Seller (mk08)
c.1670-1675 Oil on canvas. 149x113cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

     Painting ID::  21637
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Little_Fruit_Seller_(mk08)
c.1670-1675 Oil on canvas. 149x113cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

Bartolome Esteban Murillo self-Portrait oil painting artist
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self-Portrait
mk52 c.1670-3 Oil on canvas 122x107cm National Gallery,London

     Painting ID::  26805
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  self-Portrait
mk52 c.1670-3 Oil on canvas 122x107cm National Gallery,London

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     Bartolome_Esteban_Murillo
    Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.

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