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Domenico Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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Portrait of a Gentleman
oil on canvas // Priv. coll
Date 16-17 c,
cyf
Painting ID:: 84642
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Portrait_of_a_Gentleman
oil on canvas // Priv. coll
Date 16-17 c,
cyf
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Portrait of Joannes Gritti
oil on canvas// Priv. coll.
Date 16-17 c.
cyf
Painting ID:: 84999
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Portrait_of_Joannes_Gritti
oil on canvas// Priv. coll.
Date 16-17 c.
cyf
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Christ Crowned with Thorns
1590(1590)
Medium Oil on canvas
cyf
Painting ID:: 87680
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Christ_Crowned_with_Thorns
1590(1590)
Medium Oil on canvas
cyf
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The Flagellation
1590(1590)
Medium Oil on canvas
cyf
Painting ID:: 88874
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The_Flagellation
1590(1590)
Medium Oil on canvas
cyf
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Bacchus, Ariadne and Venus
16th century
Medium oil on canvas
cjr
Painting ID:: 90866
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Bacchus,_Ariadne_and_Venus
16th century
Medium oil on canvas
cjr
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Domenico_Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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