Oil Painting Artist::. Jean-Auguste Dominique Ingres

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     Jean-Auguste Dominique Ingres
    French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

Jean-Auguste Dominique Ingres Male Torso oil painting artist
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Male Torso
1800 Ecole des Beaux Arts, Paris

     Painting ID::  2038
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Male_Torso
1800 Ecole des Beaux Arts, Paris

Jean-Auguste Dominique Ingres The Golden Age (mk35) oil painting artist
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The Golden Age (mk35)
1862 Oil on paper mounted on a Wood Panel 47.9 x 62.9 cm The Fogg Art Museum Harvard University Art Museums,Cambridge (MA)

     Painting ID::  24777
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Golden_Age_(mk35)
1862 Oil on paper mounted on a Wood Panel 47.9 x 62.9 cm The Fogg Art Museum Harvard University Art Museums,Cambridge (MA)

Jean-Auguste Dominique Ingres The Great Odalisque (mk35) oil painting artist
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The Great Odalisque (mk35)
1814 La grande odalisque Oil on canvas 91 x 62 cm Musee du Louvre Paris

     Painting ID::  24925
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Great_Odalisque_(mk35)
1814 La grande odalisque Oil on canvas 91 x 62 cm Musee du Louvre Paris

Jean-Auguste Dominique Ingres Le Bain turc (mk32) oil painting artist
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Le Bain turc (mk32)
Huile sur toile marouflee sur bois signee,datee MDCCCLXII aetatis LXXXII diametre 108 cm Musee du Louvre Paris

     Painting ID::  25144
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Le_Bain_turc_(mk32)
Huile sur toile marouflee sur bois signee,datee MDCCCLXII aetatis LXXXII diametre 108 cm Musee du Louvre Paris

Jean-Auguste Dominique Ingres Odalisque avec esclave (mk32) oil painting artist
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Odalisque avec esclave (mk32)
huile sur toile signee et datee 1842 76 x 105.4 cm Walters Art Gallery Baltimore

     Painting ID::  25194
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Odalisque_avec_esclave_(mk32)
huile sur toile signee et datee 1842 76 x 105.4 cm Walters Art Gallery Baltimore

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     Jean-Auguste_Dominique_Ingres
    French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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