Oil Painting Artist::. Niko Pirosmanashvili

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     Niko Pirosmanashvili
    (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

Niko Pirosmanashvili A Sitting Yellow Lion oil painting artist
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A Sitting Yellow Lion
Date 1900s(1900s) Dimensions 80 x 99 cm (31.5 x 39 in) TTD

     Painting ID::  93575
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Sitting_Yellow_Lion
Date 1900s(1900s) Dimensions 80 x 99 cm (31.5 x 39 in) TTD

Niko Pirosmanashvili Still-Life oil painting artist
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Still-Life
Date 1900s Medium oil on tin-plate Dimensions 73 x 36 cm (28.7 x 14.2 in) TTD

     Painting ID::  93576
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Still-Life
Date 1900s Medium oil on tin-plate Dimensions 73 x 36 cm (28.7 x 14.2 in) TTD

Niko Pirosmanashvili A Peasant with His Grandson oil painting artist
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A Peasant with His Grandson
Date 1900s(1900s) Dimensions 56 x 75 cm (22 x 29.5 in TTD

     Painting ID::  93577
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_Peasant_with_His_Grandson
Date 1900s(1900s) Dimensions 56 x 75 cm (22 x 29.5 in TTD

Niko Pirosmanashvili The Russian-Japanese War oil painting artist
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The Russian-Japanese War
157 x 107 cm (61.8 x 42.1 in) 1906 cjr

     Painting ID::  95806
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Russian-Japanese_War
157 x 107 cm (61.8 x 42.1 in) 1906 cjr

Niko Pirosmanashvili The Kinto's Son or Little Kinto oil painting artist
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The Kinto's Son or Little Kinto
from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 38 x 77 cm (15 x 30.3 in) cjr

     Painting ID::  95807
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Kinto's_Son_or_Little_Kinto
from 1862(1862) until 1918(1918) Medium oil on oilcloth Dimensions 38 x 77 cm (15 x 30.3 in) cjr

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     Niko_Pirosmanashvili
    (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter. Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman. Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.

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